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By Barbara Falconer Newhall
“What do you want for your birthday,” Jon wanted to know.
A biggish birthday was coming up, one that ended with a five. I figured Jon was good for an equally biggish birthday present.
“Well, I need a new computer,” I ventured. “And a new cell phone.”
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My pokey old computer still runs Windows 7, and I’m probably the last person on earth still carrying around an iPhone 3GS, vintage 2009.
“Sure,” Jon said.”We’ll get you a computer and a cell phone.” Jon’s voice had that telltale lilt in it. The one I hear whenever I tell my husband that my computer’s gone buggy. Jon loves all things digital. He loves figuring out why my computer crashes. Even more he loves an excuse go out and buy a new one.
Later that day I did a double take.
Two No-Fun Birthday Gifts
What the heck? A computer and a cell phone for my biggest, fattest birthday yet? No way! Getting a new computer on your 75th is like getting new clothes on your eighth.
What I wanted — really and truly — was one of my friend Nancy Selvin’s pots. A nice one. A big one. I wanted nothing more than to pay a visit to Nancy’s studio, get a guided tour, and talk about clay and glazes and beautiful stuff.
And pick out a pot. Hang the expense.
A Surfeit of Pots
Jon didn’t get it. Our house is full of pots and plates and platters, hand painted and gathered from the ends of the earth. There isn’t enough wall space in our entire house to display all of them at once. They sit in patient stacks under the TV and atop the
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
coffee table and squirreled away in my mother’s old china cabinet, awaiting their turn at one of the earthquake-proof picture hooks nailed to our walls.
Did we need another pot? No. Did I want a pot by Nancy Selvin? Yes.
This was a big birthday coming up. Jon had had one just like it a few months earlier. He felt my pain. I had him where I wanted him.
“OK,” he said at last. “I don’t get it. But go ahead. Get what you want.”
And that’s what I did. On the day after my big Seven-Five, Nancy welcomed me into her studio on Page Street in Berkeley. And I got what I wanted.
More about adding yet another year to my already massive collection at “The Shame of Aging: The Big Seven-Five Has Finally Arrived.” More about Jon at “Would My Husband Like to Add My Name to His?”
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
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Thanks Barbara, love it!
Nancy
My pleasure!
Nancy also passes along these thoughts from T.S. Eliot regarding time, which she shares and expresses through her work:
Time present and time past
Are both perhaps present in time future
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden . . . .
Nancy tells me that the music on the front of the teapot is “Erratum Musical” by Marcel Duchamp. It’s music (sounds) created by a chance process, much as ceramic results are predicated on chance — the risk of the fire, the vagaries of the clay.
On the other side of the teapot is text is from a book on how Greek pottery — a “Krater” — was thrown and constructed, which is the same for pots now.
the true birthday spirit