Whether you’re a brand-new writer or writer of many years, be sure to check out Carol Edgarian’s letter to a young college graduate who wants to write but doesn’t know where to start.
writing tips
The Writing Room: Different From, Different Than – Which Is It?
I was at the gym working on my pecs and abdominals the other day when I spotted a flyer announcing, “Belly fat is different than other fat.” Shouldn’t that be different from? What’s correct? I hadn’t a clue. Read more.
Noah Lukeman on the Colon, That Most Majestic of Punctuation Marks . . .
Ever since I read Noah Lukeman’s treatise on the comma in a 2006 issue of The Writer’s Chronicle, I have been a fan. A devotee. No, let’s face it, a groupie. Read more.
The Writing Room: If It’s Religious, Can It Be Art?
Is religious art an oxymoron these days? Can “great” art address matters spiritual in the modern era? Read more.
The Rhetorician in the White House — Or, How I Learned to Love the Passive Voice
The passive sentence gets a bad rap — it’s weak, it’s vague, it’s passive. But sometimes a neatly turned passive sentence is just what our ever-shrinking world needs. Obama’s Cairo speech is an example. Read more.
In the Garden With the Grammar Geek: Is It Ever OK to Use the Passive Voice?
Passive sentences can be wordy and vague — or useful. For me, a passive sentence is one that, like it or not, obscures the doer of the action. Read more.
What’s Rhetoric? Let My Two-Year-Old Enlighten You
My daughter Christina discovered the art of rhetoric when she was being weaned from baby bottle to plastic cup. She’d say, “I want milk and I don’t want it in a cup” — an elegant illocutionary statement that usually got her what she wanted, her bottle.