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	<title>Barbara Falconer Newhall &#187; pat carbine</title>
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	<description>Journalist Barbara Falconer Newhall reports from the the second half of life -- on books, writing . . . her husband, house, aging relatives and grown-up kids.</description>
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		<title>The Writing Room: George Leonard and the Tao of Writing</title>
		<link>http://barbarafalconernewhall.com/2010/02/06/the-writing-room-george-leonard-and-the-tao-of-writing/</link>
		<comments>http://barbarafalconernewhall.com/2010/02/06/the-writing-room-george-leonard-and-the-tao-of-writing/#comments</comments>
		<pubDate>Sat, 06 Feb 2010 08:01:57 +0000</pubDate>
		<dc:creator>Barbara</dc:creator>
				<category><![CDATA[A Case of the Human Condition]]></category>
		<category><![CDATA[God Is Big]]></category>
		<category><![CDATA[The Writing Room]]></category>
		<category><![CDATA[aikido]]></category>
		<category><![CDATA[betty rollin]]></category>
		<category><![CDATA[education and ecstacy]]></category>
		<category><![CDATA[esalen]]></category>
		<category><![CDATA[george leonard]]></category>
		<category><![CDATA[human potential movement]]></category>
		<category><![CDATA[look magazine]]></category>
		<category><![CDATA[pat carbine]]></category>
		<category><![CDATA[the tao of writing]]></category>
		<category><![CDATA[writing tips]]></category>

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		<description><![CDATA[George Leonard, one of the fathers of the human potential movement, and I both worked at Look magazine during the 1960s. We knew each other -- that is to say, we were aware of each other -- at Look, I more aware of George than he of me. I was a very young editorial secretary and not a very good one. He was a Look writer and a star. 
]]></description>
			<content:encoded><![CDATA[<div class="wp-caption alignleft" style="width: 284px"><img class="  " title="george-leonard-look-magazine-editor-at-esalen" src="http://www.esalenctr.org/display/photogallery/pic1_GeorgeLeonard.jpg" alt="" width="274" height="461" /><p class="wp-caption-text">George Leonard at Esalen. c 2009 Esalen Institute.</p></div>
<p>By Barbara Falconer Newhall</p>
<p>I&#8217;ve thought of George Leonard often over the years. And when I read in the New York Times last month that he had died on January 6 at the age of 86, I thought of him yet again.</p>
<p>George and I knew each other in New York at <a href="http://en.wikipedia.org/wiki/Look_(American_magazine)">Look magazine</a> , where we both worked during the 1960s.</p>
<p>That is to say, we were aware of each other at Look &#8211; I more aware of George than he of me.</p>
<p>I was a very young editorial secretary &#8211; and not a very good one. (My bosses were people like <a href="http://www.bettyrollin.com/">Betty Rollin</a>, <a href="http://www.amazon.com/Adams-Chronicles-Four-Generations-Greatness/dp/0316784974">Jack Shepherd </a>and <a href="http://books.google.com/books?id=C-cCAAAAMBAJ&amp;pg=PA40&amp;lpg=PA40&amp;dq=pat+carbine&amp;source=bl&amp;ots=qwbLQtSR-3&amp;sig=9j-713ZCMS330KNHB28rsrsFJLQ&amp;hl=en&amp;ei=S91sS8-NOoaStgPSv8iyDQ&amp;sa=X&amp;oi=book_result&amp;ct=result&amp;resnum=6&amp;ved=0CBUQ6AEwBTgK#v=onepage&amp;q=pat%20carbine&amp;f=false">Pat Carbine</a>.) He was a Look writer and a star. He was documenting &#8211; no, inspiring &#8211; the youth and <a href="http://www.google.com/imgres?imgurl=http://www.itp-life.com/graphics/photos/george-michael2.jpg&amp;imgrefurl=http://www.itp-life.com/people/index.html&amp;h=222&amp;w=377&amp;sz=20&amp;tbnid=bsO_8Dp_RmWsKM:&amp;tbnh=72&amp;tbnw=122&amp;prev=/images%3Fq%3Dgeorge%2Bleonard%2Bphoto&amp;usg=__9bwPYRN4EgCqJETyDDjcFAfoB9g=&amp;ei=keJsS8C3LY7-tQPz3eA1&amp;sa=X&amp;oi=image_result&amp;resnum=6&amp;ct=image&amp;ved=0CBEQ9QEwBQ">human potential movements </a>that were fermenting in the San Francisco Bay Area at the time.</p>
<p><a href="http://www.marinij.com/ci_14135306?source=rss">George</a> went on to write a number of books, including <em>Education and Ecstasy,</em> <em>The Way of Aikido, Mastery</em> and <em>The Ultimate Athlete</em>. He was a long-time influence at the <a href="http://www.esalen.org/">Esalen Institute</a>. And he was as formidable physically as he was intellectually; he took up aikido at mid-life and earned a fifth-degree black belt.</p>
<p>Though he barely knew me, George was kind enough to meet with me when I first moved from New York to San Francisco in 1969. During that conversation, he gave me some advice I&#8217;ve kept pasted to the inside of my forehead ever since.</p>
<p>We were talking about story ideas, and I told him I had one I thought was pretty hot, but I didn&#8217;t want to reveal it to him. At Look, story ideas were gold, we treated them like state secrets. If we didn&#8217;t keep them under wraps, our competition &#8211; Life magazine &#8211; might get wind of them and scoop us. We hoarded our ideas.</p>
<p>George&#8217;s response took me by surprise. &#8220;Don&#8217;t worry about it,&#8221; he said. &#8220;Ideas are not in finite supply. The more you give away, the more you generate. That&#8217;s the way the universe works.&#8221;</p>
<p>Those aren&#8217;t George&#8217;s exact words. But they are the way I&#8217;ve remembered, interpreted and reinterpreted them over the years.</p>
<p>Following George&#8217;s advice has been a useful practice. I&#8217;ve learned over time that the more willing I am to help out other writers and share my ideas and (hard-won) expertise with them &#8211; the more thoughts, ideas, inspirations and writing tricks (hot ones all!) pop into my mind.</p>
<p>I think of it as the Tao of writing.</p>
<p>Thanks, George. I&#8217;m going to keep on thinking about you.</p>
<p>© 2010 Barbara Falconer Newhall</p>
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