The Writing Room: Can This Guy Make Me a Star?

Jeff Greenwald

By Barbara Falconer Newhall

I’m getting out of my writing room long enough to take Jeff Greenwald’s Page to Stage class at the San Francisco Writers Grotto.

It starts Jan. 17. Sounds like fun. I think there are still spaces available. Join me???? Here’s the link.

Jeff  is a journalist, author and stage performer. And he’s got a book out called Shopping for Buddhas. Sounds like an interesting guy. Let’s see if he can turn me into Tina Fey in four short weeks.

Seriously, I have an agenda here. I’m pretty happy with the state of my book, Finding Holy. It’s 95% written. OK, 90%. It only needs tweaking and the filling in of a few modest holes.

But I’ve got at least one agent and multitudes of editors and publicists at book publishers, big and small, telling me that Platform, with a capital P, is everything. One editor even told me that it’s easier for a publisher to fix up a book that is mediocrely written than it is to get attention for a book and author who’s got no platform.

OK, what’s Platform? It’s your credentials to write a book (which I have), but it’s also the ready-made, identifiable audience that a writer brings with her when she or her agent approaches a publisher. Giving talks, leading workshops and getting onto NPR are mighty helpful. (So does keeping this blog, btw. Help my Platform; send the link to your friends!)

Soooo. In the interest of strengtheining my Platform, I’m off to Jeff’s class next week. Let’s hope he can make me a star of stage and screen. Or, better yet, a published author.

To be continued . . .

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The Writing Room: Writing Tips — Free for Nothing!

I just discovered a site called Nieman Storyboard: Breaking down story in every medium. A project of the Nieman Foundation for Journalism at Harvard.

Looks like there might be lots of good stuff for writers on this site — including creative nonfiction writers.

A very helpful new post takes a close look at writer Jeanne Marie Laskas’ work — why it reads so well. Check it out for some great tips for making your nonfiction writing more lucid and reader-friendly.

See you there.

 

 

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The Writing Room: Scholars — Like Lauren Winner — Who Write for the Rest of Us

By Barbara Falconer Newhall

Lauren Winner, author of  the popular memoir Girl Meets God, was in San Francisco last weekend giving advice to religion scholars on how to write books for a general audience.

Lauren Winner c 2009 BF Newhall

Lauren is an academic — she’s assistant professor of Christian Spirituality at Duke Divinity School – but much of her advice to the scholars gathered for the American Academy of Religion conference last weekend applies nicely to us non-academic, learn-as-you-go writers.

Lauren’s tips:

1. Procrastination can work for you. Lauren wrote Girl Meets God while a student. Writing is what she did when she couldn’t settle down to study.

2. Figure out who your audience is, write to that audience. Better yet, write to a real or imaginary specific person who embodies that audience.

3. Good prose can make any topic interesting. Improve your writing by reading a lot in your genre. But make sure you’re reading well written prose, because it rubs off. Lauren likes Jill Lepore’s New Yorker writing.

4. Start small. Aim big. Write for a neighborhood newsletter. Work your way up the ladder to local newspapers and then to national magazines. Hope for the New Yorker.

5. Buy books. It will help keep the industry alive long enough to be there for you when your book is ready.

The American Academy of Religiion and Society of Biblical Literature met in 2011

Lots of books displayed at the AAR and SBL conference

6. When you send out your proposal, send along a photo of yourself.

7. When your book is published, spend a couple thousand dollars — if you can — to buy copies to send to key members of your core audience. She sent one of hers to college chaplains at Christian colleges.

Some other scholar-author types joined Lauren on the panel, which was sponsored by Publishers Weekly. My wise and fun-loving Religion Newswriters Association colleague, Marcia Z. Nelson, moderated.

Michael Coogan of Harvard University suggested refining your writing style and building a readership by talking to groups. He also noted that it’s OK to write a book that’s already been written (including the ones you’ve written yourself) because, “There are always new audiences.”

Phil Zuckerman of Pitzer College, recommended investing in an alarm clock. Budget time to write, then write till the alarm goes off.

Kirstin Swenson of the University of Virginia reminds us that “You gotta write what you want to write.”

Photos and text © 2011 BF Newhall

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The Writing Room: Writing Tips from Jasmin Darznik of “Good Daughter” Fame

Jasmin Darznik, author of "The Good Daughter" | Photo by Sarah Cramer ShieldsBy Barbara Falconer Newhall

Jasmin Darznik was at the Book Passage bookstore in Marin county, California, Monday night for the monthly meeting of the Left Coast Writers. She had some tips for wannabe writers, particularly memoir writers.

Tip # 1: Jasmin’s New York Times bestselling memoir, The Good Daughter: A Memoir of My Mother’s Hidden Life tells the story of her mother’s marriage in Iran at the age of 13. Jasmin spent months interviewing her mother in Farsi, taking notes about her mother’s life in Iran. [Read more...]

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Book Openers: A Shameless Plug for a Mouthy Family Friend

By Barbara Falconer Newhall

Merle Haggard, Bill Graham, Jerry Garcia,  Bonnie Raitt — Joel Selvin knew/knows them all.

And I’ve known Joel Selvin for most of his adult life.

My husband knew Joel as a mouthy little kid who used to ride around the Berkeley hills in the Selvin family convertible –  standing up on the front seat, hair flying in the wind

Joey’s mom would be arrested for child endangerment today, but no matter,  little Joel survived his in-your-face childhood to become one of the San Francisco Bay Area’s most knowledgeable, persistent, in-your-face rock & roll journalists.

During his multi-decade career at the San Francisco Chronicle, Joel interviewed Graham, Haggard, Garcia, Raitt and countless others. Many of those interviews are republished in Joel’s newest book,  Smart Ass: The Music Journalism of Joel Selvin.

Smart ass. The title suits him. You can always count on Joey to speak his mind, and then some.

Since leaving the Chronicle, Joel has found book-writing even more rewarding than newspapering. The book he coauthored with Sammy Hagar, Red: My Uncensored Life in Rock, has spent time on the New York Times best seller list.

And Joel’s next project is just as promising.

Ed Hardy Love Kills Slowly

I think this is one of the T-shirts I bought for Peter. An OK message is this for a mom to a son?

I haven’t bought any of Sammy Hagar’s music but I have bought a couple Ed Hardy T-shirts for my son.  Hardy is the famed tattoo artist whose name is all over an edgy fashion brand, and now he’s writing a memoir with Joel for Thomas Dunne Books. I hope there are lots of pix.

In other words, Joel is having even more success with his books than he was as a newspaper journalist.

If I really want to get famous as a book author, maybe I should hang around with Joey a little more at his family’s gatherings. Study his style. Get mouthy.

I could do mouthy.

What I can’t do is ride around in a convertible with the top down, standing up in the front seat.

© 2011 BF Newhall

Smart Ass: The Music Journalism of Joel Selvin, by Joel Selvin, Parthenon Books, 2011, $19.95, paper.

Red: My Uncensored Life in Rock, by Sammy Hagar with Joel Selvin. It Books/HarperCollins, $26.99.

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