Book Openers: Jon Krakauer — He Hooks Me in Every Time

jon-krakauer-under-the-banner-of-heavenBy Barbara Falconer Newhall

I really don’t want to read about a bunch of macho guys trying to scale Mt. Everest and cluttering up the place with their camping litter, excrement and  frozen dead bodies.

Nor do I want to read about a gang of twenty-first century macho fundamentalist Mormons dudes raping/marrying their 14-year-old Mormon nieces and stepdaughters – any more than I want to read about their 19th century macho Mormon predecessors doing the same to their helpless 14-year-old relatives.

But sometimes a reader gets desperate. Sometimes the only book on the shelf at the library (and in my case it would be a recorded book) — the only book worth taking home is about some jocks scaling Mt. Everest or some  fundamentalist Mormons acting badly.

I give in. I take the book home with me.

The Everest book was Jon Krakauer’s Into Thin Air. The Mormon book was his Under the Banner of Heaven. In both cases, I was skeptical. I wasn’t going to like this book. But I’m a reader and I gotta have a book.

Now.

Once home, I pop CD No. 1 into my CD player and go for a walk. Now, Krakauer the storyteller has me where he wants me. One chapter into his book, and I’ve fallen under his spell. I have to hear more.

Whether it’s Into Thin Air, about Krakauer’s disasterous 1996 ascent of Mt. Everest. Or whether it’s Under the Banner of Heaven, his account of murderous fundamentalists practicing old-time Mormon plural marriage, I can’t stop reading/listening.

But now my walking time is over. It’s time to sit down to my computer and get some work done. Instead, I pop another disk into my CD player and look around for pots to scrub or a parched houseplant to water.

Krakauer is a storyteller par excellence. But he is also a meticulous journalist – he spent three years reseaching Under the Banner of Heaven and one year writing it. He’s a researcher and he’s thorough, so he has my respect.

But more than that, he has my gut. He’s telling me a story, a true (or close to it) story, peopled with people as real as the ones I’ve met in Anna Karenina or Gilead or Huckleberry Finn. Jon Krakauer is my idea of a good time.

Krakauer’s next book, Where Men Win Glory: The Odyssey of Pat Tillman, is scheduled for release in September. Pat Tillman — that would be the football player who joined the Army Rangers, did a few tours of duty, and was killed by friendly fire in Afghanistan.

Sigh. Another guy book. I don’t want to read it. But I’m afraid I will. 

© 2009 Barbara Falconer Newhall

Into Thin Air: A Personal Account of the Mt. Everest Disaster, Jon Krakauer, Anchor Books/Doubleday, 1999.

Under the Banner of Heaven: A Story of Violent Faith, by Jon Krakauer, Random House, 2003.


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A Case of the Human Condition: Why Can’t a Dad Be More Like a Mom? . . . Do We Really Want Them To Be?

Peter and his dad. c 1981 B.F. Newhall

Peter Newhall and his father, Jon Newhall. c 1981 B.F. Newhall

By Barbara Falconer Newhall

The Oakland Tribune, July 12, 1987

Have things changed since I wrote this piece for the Oakland Tribune? Are men taking on real child-rearing responsibilities? Or are they still just helping? Are women willing to cede some of their mom turf — are they letting the guys choose the pediatrician? The car seats? The hair bows?


Carol calls them “the little inequities.”

She is talking about the small, countless ways that men fail to notice what needs to be done for their children.

At breakfast, 2-year-old Max drops a spoon to the floor. John is reading the newspaper – he has to read it for his job.

Carol has to read the paper for her job, too. But it is she who notices that the spoon has fallen. She picks it up.

John and Carol have visitors. Max is about to walk into the living room eating a bagel slathered with cream cheese and jam.

Carol is talking to a guest. She would like to keep on talking – but jam is dripping off Max’s bagel.

John, engrossed in conversation with another guest, is unaware that a jammy bagel is headed for the living room.

Carol interrupts her conversation to steer Max back to the kitchen. John keeps talking.

“It’s their coping strategy,” says Carol of today’s fathers. “They fail to notice.”

Make no mistake. “John is a saint among fathers,” she is quick to add. He does the laundry. He dresses his children. He keeps them entertained while Carol sleeps in.

Indeed, John does a good 40 percent of the child care at their house, says Carol. For that 40 percent, however he gets tremendous sympathy and help.

“When I went out of town to a union conference,” says Carol, “John got dinner invitations for a week. When he is out of town, no one thinks to invite me for dinner.”

That’s because child-rearing in our job. We are in charge.

John washes his children’s clothes, but – and this is a big but – he does not buy them.

He does not haunt the flea markets for 25-cent sweatpants. He does not sort through the hand-me-downs. He does not rearrange the drawers to make room for the new clothes.

John dresses the baby, but often lets Carol choose the outfit.

He gets the overalls on, but can’t figure out how the hooks work.

He puts on the baby’s bathing suit. The straps criss-cross her chest.

He slips her into her nightshirt. The hood covers her face.

He gets it right the second time.

Is he playing dumb?

I can play dumb. In our house, Jon is in charge of the cooking. He asks me to help by breaking up the lettuce for a salad. I tear it into unmanageably large pieces.

Next time, Jon breaks up the lettuce.

The same way with kids.

We mothers read the parenting books, take the child development courses and spend long evenings on the telephone discussing separation anxiety, cradle cap and pre-reading skills with the other moms.

Baby is only days old but already we have her on the waiting list for that great nursery school over at Cal.

Summer is three months away, but it is not too soon to apply for gymnastics camp in Alameda or horse camp in Lafayette.

We relish our responsibilities.

Dads help – and they are getting more helpful all the time.

When we have an evening meeting, they agree to “babysit.” But when, at the last minute, their employers want them to work late, it is we who must come up with the child-care arrangement – spending 30 minutes of our employer’s time making phone calls.

Mothers are in charge. Fathers help. Perhaps that is why John was so annoyed when Carol complained to him about the bagel incident.

Who wants to help and then be criticized for not helping enough, or for not helping correctly? It’s much more fun to be in charge.

They would be good at it. They would enjoy – and resent – it as much as we.

Trouble is, I’m not willing to let go of motherhood as I have known and enjoyed it. I have ceded enough of my turf as it is.

I’m willing to let Jon have the cooking all to himself.

I’m even willing – though just barely – to let Jon decide whether granola bars are appropriate school lunch box fare.

But that’s it.

Maybe Christina will be different. Maybe – in 2017 – she will let her husband decide between cloth diapers and paper, between the Montessori and the traditional nursery school, between bangs and no bangs for her daughter.

As for me, I’m about as liberated as I can get – for the time being.

© 1987 The Oakland Tribune

 

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A Case of the Human Condition: A (Female) Painter Named Squeak

squeak-carnwath-oakland-museum

By Barbara Falconer Newhall

Squeak Carnwath’s paintings — now on view at the Oakland Museum — strike me as consummately female. They muse, they introspect, they meander, they talk (lotsa writing on these paintings) — like most women I know.

Which makes me wonder how Squeak’s work might have been received in an earlier era. Probably not at all. Her paintings lack that (male!) power and directiveness. They don’t try for (masculine!) authority.

Instead they explore. A quotation at the entrance of the show puts it nicely: ”The matter of being alive is something to be investigated.”

It was my friend Nini who took me to see Squeak’s show the other day, and we lost ourselves in it. The Oakland Museum exhibition represents the last 15 years of Squeak’s work, a period in which Squeak has “come into her own,” according to the docent who explained a few things to us.

The docent also explained those black disks, which I find harsh but which Squeak likes the looks of: They represent old-time phonograph records. Squeak shows only the records’ Side One. And that, she says, is just like life: You don’t get to see the other side.

Nini was taken with the shimmering, layered effects of Squeak’s oil and alkyd  technique. I was too. There is a depth and complexity there that struck me — again – as feminine.

(I love art-viewing with Nini. She has a great eye: Witness the art museum of a house she’s built, decorated and rents out in San Miguel, Mexico.)

Squeak is a California artist who’s taught art for three decades. She taught (Nini) at the Univerisity of California-Davis, and is now a tenured professor of art practice at UC-Berkeley. She’s had fellowships from the John Simon Guggenheim Memorial Foundation and the National Endowment for the Arts.

Squeak Carnwath’s show was at the Oakland Museum of California in 2009. 

Enjoy!

© 2009 Barbara Falconer Newhall

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The Scottville, Michigan, High School Football Team — 1929

The Scottville, Michigan, football team, 1929. c 1929 H.J. Hansen

The Scottville football team, 1929. Photo by H.J. Hansen

 

 

 

 

 

 

 

 

 

 

By Barbara Falconer Newhall

Oops. I forgot to post the photo of my father’s Scottville, Michigan, High School football team on Friday’s blog. Here it is.

My father, Dave Falconer (that’s him with the curly hair, front row, third from right), wrote these names on the back of the photo. The spellings and labels are his. Left to right:

Front Row – Backs: James Berry – Jim; Adison Miller – Addy – R. End; John Rosander – Rosy – Back; Holly Wilson – capt. – Back; Noble Stephens – Steve – Back; David Falconer – Dave – Back; Harry Young; Norman Benow – Norm

Second row – Line: Morse Osby – R. Tackle; Woodrow Briggs – L. Tackle; Harold Sanders – R. Guard; Ray Sherburn – Center; Meril Wood; Bob Berry; Dwight Spuller – L. End; Don. Sager – Coach

Back row – Scrubs: Genters; Jenks; D.D. Nelson; Harhart; James Fisher; W. Fisher – L. Guard; Burt Shulte; Ben Nap – ?ski; L. Fisher

The great Stock Market Crash of 1929 took place on Thursday, October 29, 1929, setting off a world-wide economic depression. Things were bad, but apparently not bad enough to keep these guys from suiting up and playing ball. Or had the market not quite crashed yet . . . ?

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Book Openers: I Still Haven’t Figured Out How to Pray — But I’m in Good Company

Barbara Brown Taylor Studio Chambers photo

By Barbara Falconer Newhall

“I am a failure at prayer,” author Barbara Brown Taylor confesses in her new book, An Altar in the World: A Geography of Faith. And, ”to say I love God but I do not pray much is like saying I love life but I do not breathe much.”

Now there’s a woman after my own heart.

I belong to a group that meets twice a month on Mondays. Some people might describe it a prayer group. But I don’t – because I, for one, am not that good at praying. Our group is good at talking, and we’re really good at listening to each other. And, somehow or other, God seems to be there when we meet on our Mondays for a simple meal and reflection. But prayer — how to do it, why do it — has been the topic of much conversation in recent months.

Like me, Taylor expresses consternation at trying to formulate a clear theology and practice of prayer. The author of the acclaimed Leaving Church, she waits until the second to last chapter of  An Altar in the World  to finally bring up the subject of prayer. When she does, it is with trepidation. “I would rather show someone my checkbook stubs than talk about my prayer life,” she writes.

“I have shelves full of prayer books and books on prayer,” Taylor says. “I have file drawers full of notes from courses I have taught and taken on prayer. I have meditation benches I have used twice, prayer mantras I have intoned for as long as a week, notebooks with column after column of the names of people in need of prayer (is writing them down enough?) I have a bowed psaltery–a biblical string instrument mentioned in the book of Psalms–that dates from the year I thought I might be able to sing prayers easier than I could say them. I have invested a small fortune in icons, candles, monastic incense, coals, and incense burners.”

Every once in a while, prayer overtakes Taylor and she is flooded with the Presence of Holy. But most of the time, she finds a more immediate sense of God in what she calls “enlarged awareness” – in paying attention — as she bites into a homegrown tomato, or sets the table for guests with her best dishes and silverware, or  pauses to notice the moon, round and full “like the wide iris of God’s own eye.”

An Altar in the World limns a spirituality of the everyday, of finding Holy in the feeding of the cats and the dogs, the family and the friends. It suggests that, instead of waiting for God to answer our prayers, we wake up to the fact that our lives are the very answer to the question we ask. The Sacred is right there in plain sight and always has been.

Maybe that’s what happens to me when my Monday night group meets to eat, talk and be present  for God. I listen to the others speak. I offer up my own private stories — and I feel them coming back to me, intensified, enlarged and sanctified.

an-altar-in-the-world-cover-2009-barbara-brown-taylor

An Altar in the World: A Geography of Faith, by Barbara Brown Taylor, HarperOne, 2009, $24.99 hardcover.

My Monday Night Group has been the inspiration for a number of blog posts on prayer, including one on meditation.

I’ve also passed along some thoughts on prayer from noted religion writer Karen Armstrong. Also from a Benedictine monk who talks about “prayer without words,” and a Native American who says if you’re looking for God, “Go look at a rock.”

 

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