The Writing Room: Two Must-Have Craft Journals for the Literary Writer

By Barbara Falconer Newhall 

When the pile of periodicals on the kitchen counter at our house gets to be about a foot high and the magazines, slippery and slick as most of them are, begin their inevitable slide into the kitchen sink, I know it’s time to toss some of them in the recycling bin or find a home for them on the magazine rack up at the gym.

I could start a second stack of magazines, of course, but then it would become all too apparent to me, and to my long-suffering husband, that magazine greed has gotten the better of me again.

I love to read. I love magazines. I could read every one of them, cover to cover. Oprah. The New Yorker. Image Journal. Christian Century. Tricycle. More magazine. Fourth Genre. Hinduism Today. You get the picture. There simply isn’t time to read them all, but I can’t bear to throw them out. There might be some amazing gem in that stack, some shred of light that will transform my life or better yet my writing.

That said, I notice that there are two magazines that never quite make it to that stack on the kitchen counter: Poets & Writers and The Writer’s Chronicle. If one of them shows up in our mailbox around lunch time, instead of plopping it onto the pile, I open it up and read. On those days, it can be an hour or more before lunch is over and I find my way back downstairs to my writing room and my keyboard.

It seems that, above all things, I love to read about writing. I’ll read everything, from the formulaic but knowledgeable pages of Writer’s Digest to my husband’s splashy copies of Creative Screenwriting, even though I don’t write screenplays . . . yet. But for me Poets & Writers and The Writer’s Chronicle are by far the satisfying periodicals on the subject of writing. They have me hooked.

Poets and Writers, just for starters, has the best listing of upcoming deadlines for writing conferences, residencies and contests I know of. (But if you know of a better source – let us know!) It’s got insider tips on MFA programs, literary magazines, interviews with authors, poets, agents and publishers, solid literary writing advice, and help with leading a successful, serious writing life.

Just recently, I tore two articles out of the November-December 2008 issue of Poets & Writers. One discusses the book trailer, the online video book marketing tool that’s gotten so popular in the last few years. The other was an interview with Chuck Adams of Algonquin Books, who makes the (to me vital) point that “books are not about writers, and they’re definitely not about editors – they’re about readers.”

“You’ve got to grab the reader right away with your voice and with the story you’re telling,” Adams tells his interviewer. “You can’t just write down words that sound pretty. It’s all about the reader. You’ve got to bring the reader into it right away.”

Adams also points out that a large, well-known publisher is not always the best option for a little-known author; often it’s the big books that get the most attention at those houses. At the typical smaller house, on the other hand, “a lot of effort goes into every book  . . . because the smaller houses can’t afford to bury anything.”

I’d never heard of the Writer’s Chronicle until a member of my writers group, Patricia Dove Miller, went off to do a low-residency MFA at Vermont College of Fine Arts and came back to tell us about this magazine, published six times a year by the Association of Writers and Writing Programs.

Its articles, which include interviews and craft essays, are written by and for the academic writing program community, so they tend to be long and thorough. My writers group adored a 2006 article by Noah Lukeman entitled “The Comma.” It was one of the most insightful, liberating essays on the nuts and bolts of English grammar I’ve ever read. The take-away: The comma is not an item on an eleventh grade grammar quiz. It is not something that must always be used correctly. It’s a tool to be used by you, the thoughtful writer, as you see fit . . . as is every other tip thrown at you by these two journals — and this blog.

What are your favorite writing books and periodicals? What do you hope they will teach you?

Poets & Writers Magazine, PO Box 543, Mount Morris, IL  61054. Email poet@Kable.com or visit www.pw.org.

 The Writer’s Chronicle, the Association of Writers and Writing Programs, George Mason University, Fairfax, VA  22030. Email awp@awpwriter.org or visit www.awpwriter.org.

© 2009 Barbara Falconer Newhall

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Book Openers: Green for God

By Barbara Falconer Newhall

The Green Bible: Understand the Bible’s Powerful Message for the Earth, NRSV, Foreword by Desmond Tutu, HarperOne, 1312 pages, $29.95.

Holy Ground: A Gathering of Voices on Caring for Creation, Lyndsay Moseley and the staff of Sierra Club Books, Sierra Club,  264 pages, $22.

If you or someone you know has any doubt that the Jewish and Christian traditions value the Earth with all its myriad flora and fauna, thumb through HarperOne’s Green Bible. Highlighted in green are the many passages calling upon humanity to respect and care for the Earth – even in times of war.

Check out Deuteronomy 20:19, for example. “If you besiege a town for a long time, making war against it in order to take it, you must not destroy its trees by wielding an ax against them.”

Or Timothy 4:4 – “For everything created by God is good, and nothing is to be rejected, provided it is received with thanksgiving.”

For the most part, The Green Bible does not gloss over the Bible’s more difficult passages. Genesis 6:7 with all its divine anger is highlighted in green: “I will blot out from the earth the human beings I have created – people together with animals and creeping things and birds of the air, for I am sorry that I have made them.”

But it does let stand  — in inconspicuous black type — the story of Jesus cursing the out-of-season fig tree. Mark 10:12-14:  ” . . . When he came to it, he found nothing but leaves, for it was not the season for figs. He said to it, ‘May no one ever eat fruit from you again.’”

Holy Ground, from the Sierra Club, celebrates the sacredness of creation with an interfaith collection of personal stories, sermons and essays from the likes of Pope Benedict VXI, Terry Tempest Williams, Gary Snyder, Wendell Berry and Patriarch Bartholomew.

Open to page 239 and read Gary Snyder’s remarkable words on humanity’s place on the food chain. “Eating is a sacrament,” he writes. If we eat meat, “it is the life, the bounce, the swish, of a great alert being with keen ears and lovely eyes, with foursquare feet and a huge beating heart that we eat, let us not deceive ourselves.”

And don’t forget either, says Snyder, “We are all edible.” We too will be offerings some day, devoured most likely by very small critters.

Food for thought.

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A Case of the Human Condition: A Mother Who Prevailed at Auschwitz

By Barbara Falconer Newhall

Ernie Hollander and his family arrived at Auschwitz in 1944. He was seventeen years old and on his coat he wore a large yellow Star of David. His mother had sewn it there for him. Ernie and his family had traveled three days by train without food in a crowded cattle car from Iloshvo, a town in the Carpathian Mountains in what was then Hungary.

The entrance to Auschwitz Birkenau, photo c 2008 Brice Gilot

The entrance to Auschwitz Birkenau, photo c 2008 Brice Gilot

Ernie’s father had been head of the local rabbinical council and a respected member of the community until the Nazis came and everything changed. From then on, Ernie’s family and the other Jewish townspeople were required to wear the yellow Star of David. The family business was confiscated. Ernie couldn’t go to school, and the children who had once been his schoolmates pushed him into the street as they passed him by.

For three days – the entire train trip – the cattle car doors had been kept sealed. Several people had died, and there had been no way to remove their bodies. But, now, at last, the doors opened and a ramp was placed at the door. Ernie watched his mother walk down the ramp ahead of him. She held Ernie’s two youngest sisters in her arms, the five-year-old and the seven-year-old. A third sister, nine years old, walked alongside her mother.

At the bottom of the ramp, an official motioned Ernie’s three sisters to the left and their mother to the right.

“My mother could have saved herself,” said Ernie. “She was still young. She was in her thirties. She could work.” Ernie’s father and brothers could also work. But the three small girls were too young to be of much use to the Third Reich. The guard told them to go to the left.

Ernie’s mother refused to be separated. “I don’t want to give up my children,” she protested. And she went to the left with her daughters.

“She didn’t know what means left,” Ernie told me. “But I know in my heart that if my mother would know what’s happening on the left, she would still not give up the children. Which mother would give up children?  And she went with the children to the left. Five minutes later they were dead.

“At that time we didn’t know,” Ernie said. “But the people who were working in the crematoriums and the gas chambers were Jewish people. After a few days we asked, ‘Do you know what happened to these people who went to the left?’

“They said, ‘You see that chimney over there where the smoke comes out? They were dead a half an hour after they arrived. That’s where they killed all the people who went to the left.’ And only then you found out that there were gas chambers.”

After the war, Ernie migrated to Oakland, California, where he was active in his synagogue, Congregation Beth Jacob. He died in 2002 at the age of seventy-seven.

This is a story from my book in progress, Finding Holy: True Stories of Religion and Spirituality in America.

© 2009 Barbara Falconer Newhall

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Writing Room: Ending Paragraphs and Sentences with a Bang

By Barbara Falconer Newhall

One of the handiest writing tips I know – and an easy one to implement – is this: Think about how you end your paragraphs. The most powerful place in a paragraph is the last sentence. More precisely, the most powerful place in a paragraph is the last phrase or the last few words of that last sentence. [Read more...]

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A Case of the Human Condition: Choose Me, Please!

By Barbara Falconer Newhall

The Oakland Tribune

April 21,1991

Jury duty is a lot like softball. I’d rather not do it. I’d rather not sit through the whiplash case. I’d rather not stand there in right field, breathing dust. Yet something in me wants to be on the team. If there is choosing going on, I can’t help wanting to be among the chosen.

As a child, I was full of good intentions toward sports. Kickball, baseball, red rover, jacks, hopscotch — gamely I tried them all. Gamely I failed.

Whatever the sport, I was afraid of the ball. I was afraid of catching it, of throwing it, of being responsible for it. But if softball and jacks were what the other kids were doing, softball and jacks were what I wanted to do.

I don’t know about your fourth-grade gym teacher, but mine follwed a barbaric custom still in practice in many otherwise forward-looking institutions. She let the kids choose their own teams.

You remember how it goes. The teacher chooses the captains. The captains choose the players. The whole fourth grade lines up across the gymnasium floor. There, one’s fitness to play ball, to be on the team, one’s very right to take up space on the planet, is decided by a 9-year-old with dirty fingernails pointing one of them at you.

Or not pointing one of them at you.

Inevitably, I was left standing in the middle of the gym, one of the last to be chosen. A reject. Much as I disliked the feeling of cowering in right field, watching a hard-hit grounder crash toward my shins, even less did I like the feeling of standing there in the gym, unwanted and forlorn.

Naturally, in time my good intentions toward sports faltered. I’d rather be doing something interesting, like watching TV or reading “Cherry Ames, Student Nurse.” Ideally, I would be eating from a bowl of popcorn or potato chips as the plot unfolded.

Still, perversly, whenever there was choosing going on, I wanted to be chosen. I wanted to be on the softball team. I wanted to be in the choir. I wanted to be in the school polay.

Especially the school play. I could reconcile myself to a life of athletic mediocrity. But it was tough to give up on my dreams of thespian glory. Sad to say, I rarely got more than a walk-on part — the second lady-in-waiting to the queeen, or the third pilgrim from the left.

Looking back now, I see that what I thought was a talent for the stage was actually a knack for memorization. I committed my lines and everyone else’s to memory. Eagerly, I delivered my lines — and spent the rest of the play mouthing everyone else’s.

Despite my inadequacy in both, there was an important difference between auditorium and gym. The drama teacher dispensed her parts quietly and without public humiliation. The gym teacher did everything out front for everyone to see.

The same can be said of jury selection. You get selected or you get “thanked and excused.” And it all happens in public.

Earlier this month it was jury selection for a routine battery case. Fifty or so potential jurors had been plucked from the comfort and predictability of their daily lives — a psychiatrist, an accountant, a student, a laborer, a retireee, a newspaper columnist. Upstanding citizens all, we sat quietly, respectfully in Judge Judith D. Ford’s courtroom — hoping to get out of it.

Each one of us had something we’d rather be doing. The pyschiatrist had emergency cases; the retiree, a garage to clean; the newspaper columnist, a deadline and a bag full of interesting books.

But here we were. There was no getting out of it.  It was our legal duty to show up, sit down and stay awake.

A sign in the courtroom spelled things out. “No talking, no reading, no eating, no sleeping. Anyone violating these rules will be ordered out of the courtroom or placed into custody.”

My fellow jurors were called to the jury box one by one for questioning. I had been with these folks two or three days, chatting and laughing in the halls. If we didn’t get selected for this trial, our jury duty would be over. If chosen, we’d be coming back for two or three more days. I knew that most of my fellow jurors were hoping to be excused. I certainly was.

One juror was sure his law enforcement connections would disqualify him. Another professed a bad attitude toward the entire judicial system. I had nothing to offer except the $20 a day in child care it was costing me to be here.

Finally, 24 hours after jury selection began, Judge Ford declared, “We have a jury.” Thirteen of my fellow jurors, including the retiree with the messy garage and the guy with the bad attitude, had been chosen.

Two dozen others had been questioned, thanked and excused. A hundful of us were left standing in the middle of the gym. We had not been chosen. We had not even been questioned. We were the rejects. Glumly, I picked up my book bag and prepared to leave the courtroom and my new-found buddies.

I’d be good at jury duty, I assured myself. I can think. I can listen. I can stay awake. And it would be interesting. I’d enjoy watching a jury trial unfold. Even if they don’t let you take popcorn into the jury box.

© 1991 The Oakland Tribune

Twenty bucks for two kids to stay a couple hours after school? These days the bill is likely to be twice that . And . . . I wonder, how do moms (and dads) with outside jobs manage things like jury duty, volunteering at the soup kitchen, taking a sick neighbor a casserole nowadays? Or don’t they? 

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